The Sound Lab at Kraftwerk Berlin explores quantum technologies through sound, featuring newly commissioned works by artists who blend experimental music with scientific concepts. From February 21 to May 4, 2025, visitors can experience Kara-Lis Coverdale’s “Primary Action at a Distance,” which interprets quantum entanglement using Actias, a synthesizer that integrates principles of quantum physics and computing.
The immersive installation invites listeners to sit on deck chairs and engage with the audio via headphones in a contemplative atmosphere. This initiative, part of Kraftwerk Berlin’s ongoing program, begins with Coverdale’s work and will feature additional artists in the coming weeks. The visit includes access to the exhibition “WE FELT A STAR DYING” as part of the day ticket.
Exploring Quantum Technologies Through Sound Art
The Sound Lab at Kraftwerk Berlin presents an innovative exploration of “quantum sound art,” where sound artists delve into the artistic applications of quantum technologies. This event, from February 21st to May 4th, 2025, showcases commissioned works that blend musical experimentation with scientific concepts.
Kara-Lis Coverdale, a prominent Canadian composer, is featured for her piece “Primary Action at a Distance.” Utilizing the Actias synthesizer, which integrates quantum principles and computing, her work interprets the concept of entanglement, offering a unique auditory experience that challenges traditional listening habits.
Visitors can immerse themselves in an intimate setting designed for contemplative listening. Equipped with digital players and headphones, the space allows attendees to engage deeply with Coverdale’s composition, fostering a connection between quantum physics and auditory perception.
The Sound Lab initiative plans to present new works by various artists, starting with Coverdale. Tickets are available through their ticket shop, offering access to both the exhibition and this innovative sound art experience.
Kara-Lis Coverdale: Primary Action at a Distance
Kara-List Coverdale’s “Primary Action at a Distance” is a sound work that interprets the quantum physical concept of entanglement. Using the Actias synthesizer, which integrates principles of quantum computing, Coverdale creates an auditory experience that challenges traditional listening habits and explores the interconnectedness of particles in quantum mechanics.
The piece is structured around the idea of entanglement, where particles remain connected regardless of distance. Coverdale translates this phenomenon into sound, creating a composition that reflects the complexity and unpredictability of quantum systems. The work is composed over 7:45 minutes, with stereo audio designed to immerse listeners in an environment that mirrors the intricate relationships between entangled particles.
Coverdale’s approach to sound art combines technical precision with artistic interpretation. Her use of the Actias synthesizer allows her to explore the mathematical and theoretical underpinnings of quantum physics, while maintaining a focus on the emotional and perceptual impact of the work. This synthesis of science and art creates a unique listening experience that bridges the gap between abstract concepts and sensory engagement.
The composition is part of a broader initiative by the Sound Lab to present works that blend musical experimentation with scientific concepts. Coverdale’s piece serves as an example of how sound art can be used to explore complex ideas in physics, offering a new way to understand and experience quantum mechanics through auditory perception.
The Sound Lab Initiative Continues
The Sound Lab initiative continues to explore the intersection of music and quantum physics through its series of commissioned works. Following Kara-List Coverdale’s piece “Primary Action at a Distance,” the project aims to present additional compositions that further investigate the auditory representation of complex scientific concepts. Each work will be designed to challenge traditional listening habits while offering new perspectives on quantum mechanics.
The initiative emphasizes the evolution of sound art as a medium for exploring abstract scientific ideas. By integrating principles from quantum computing and physics, artists like Coverdale can create compositions that reflect the intricate relationships between particles in entangled states. This approach bridges the gap between science and art and provides listeners with an immersive experience that mirrors the unpredictability of quantum systems.
As the Sound Lab project progresses, it will continue to showcase works by diverse artists who bring unique interpretations to quantum sound art. The initiative serves as a platform for experimentation, where technical precision meets artistic expression, offering audiences a deeper understanding of both music and physics through auditory exploration.
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